An Extremely Fine
Chandragupta-II Archer Coin
Chandragupta II Vikramaditya, 380-414 AD, Gold Dinar, 7.75g, Archer Type
The above coin of Chandragupta II Vikramaditya is a celebration of the
exquisite and sublime skills of the artist who designed the die for this coin
which demonstrates why the Gupta Age is called the golden period of Indian
history. This time period saw all round development in science, astronomy,
poetry, sculptor, metallurgy etc and coinage was no different with original
coins bearing Indian motifs introduced by the Guptas.
The above coin is more of a tribute to the skills and artistry of the
die engraver than the image that the coin itself bears. In the above coin, the
die cutter has managed to achieve the following objectives simultaneously:
1. The features of the King is portrayed as extremely
youthful. 'Chir-Yauvana' or Eternal Youth is an elixir that mankind, and more
so the Ruler, has sought since time immemorial. This coin shows how the die
cutter wishes the King to be remembered amongst his subjects and for posterity
as a handsome youthful King.
2. The body of the King is lithe, supple, muscular and
well proportioned. This complements and brings out the relative youthfulness of
the King. I can almost visualize the thoughts running in the die engravers mind
as he thinks of the message to be conveyed by this coin 'Hail the King, Glory
be to Him, our benevolent King, our Protector, the Strong and Valiant
Chandragupta'.
3. The King exudes an aura of energy, vigour and
vitality even as he stands in the 'dvibhanga' pose (head and torso inclined to
the right with lower limbs in opposite direction, a common feature applied in
Indian sculptor and classical dance, especially Odissi). The King appears calm,
composed and serene. This is a delicate balance that has admirably been
achieved by the die cutter. You can actually sense the King trying to
communicate with you and about to step out of the coin to hold your hand and
draw you back into time.
4. The King holding a Bow in his left arm while
drawing an Arrow from his right hand only accentuates the powerful image of the
King as a young, energetic warrior who is well disposed and endowed with the
bodily strength to overcome his enemies and detractors. Symbolically, the bow
and arrow represent the female and male energy as also love and death-wish,
respectively. It is well acknowledged that a person has manifestations of both
the feminine and masculine aspects that reveal themselves interchangeably. The
soft features of the King together with his slender frame accentuates the feminine
aspect while the weapons of war amplifies his masculinity. The die engraver has
blended these two concepts perfectly.
5. The swaying 'mudra' or pose of the standing King is
a feature of Gupta coins to reflect the King as divine and higher than a mere
mortal as a man's body is imperfect being straight, rigid and stiff. The
graceful sway is achieved by giving a curve or twist at the neck (head) and
waist (out thrust hips), the Dvibhanga pose, or the neck, waist and knee, the
Tribhanga pose. This is done to reflect that the King's body is aligned alike
to the statues of the Gods and Goddesses at the temple with which the common
man can more closely associate the King's divinity. The die cutter has achieved
this admirably.
6. Similarly, the image of the Goddess on the Reverse
is slim and sensual without being erotic. The Goddess holds a flower by a short
stalk in her upraised left arm, a 'pasa' or noose in her right hand and sits in
the yogic 'Padmasana' posture atop a Lotus. It must be remembered that these
symbols on the coin are a depiction of the iconographic manifestation of the
ancient Hindu philosophy. The Lotus flower blooms amidst the muck and filth of
muddy swamps and marshes and symbolizes man's ability to rise, similar to the
Lotus flower, from the dark depths of ignorance and gain happiness with the
beauty and radiance of spiritual knowledge. The open flowers of the Lotus that
blossoms and spreads out signifies the Sun, an essential life nourishing source
as well as the light that destroys ignorance and illuminates wisdom. The 'pasa'
(noose or lasso) signifies an attachment to worldly matters as well as the
capability of the God to capture evil and (blind) ignorance.
Its a pity we do not have any details of the die engravers name in the
historical records but given the finesse and fine style achieved in executing
the portrayal of the King on the coin, I am certain he must have been a person
held in high esteem for his die engraving skills. Perhaps he may even have been
the same person who was also the chief architect of the fabulous temples built
during the reign of Gupta Kings.
All in all,
this is a great masterpiece of the Gupta miniature art on a Gold Coin of
Chandragupta II Vikramaditya. It is my all time favourite coin simply because
of the beautiful rendition of the Kings feature, body, posture and message it
seeks to convey.
Mitresh Singh
Mitresh Singh
An alternate view more commonly accepted currently is that the 'object' in the deity's hand is NOT a 'pasa' or 'noose' but a 'diadem' (jeweled ornament or a wreath worn around the head, indicating royalty). The symbolic interpretation is the Goddess is blessing the King by offering him the insignia of royalty with her right hand.
ReplyDeleteThank you for giving us excellent information about Gupta Dynasty Coins.
ReplyDeleteYour blog benefits people who want to know about historical Gupta Dynasty Coins.
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