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20 Months, 6 New Banknotes: An Overview to the new face of Indian Currencies

Since the unexpected move of demonetization in 2016, the Reserve Bank of India has presented numerous new banknotes. On 19th July 2018, a new Rupees 100 banknote was added to the family of new face of Indian currencies i.e. Rupees 2000, 500, 200, 50 and 10. Here is an overview to these banknotes:

Denomination
Base Color
Dimensions
Motif on Reverse
Rs 2000
Magenta
66mm x 166mm
Mangalayan
Rs 500
Stone Grey
66mm x 150mm
Red Fort
Rs 200
Bright Yellow
66mm x 146mm
Sanchi Stupa
Rs 100
Lavender
66mm x 142mm
Rani ki Vav
Rs 50
Fluorescent Blue
66mm x 135mm
Hampi with Chariot
Rs 10
Chocolate Brown
63mm x 123mm
Sun Temple, Konark


Motifs on Rupees 500, 200, 100, 50 and 10 are world heritage sites declared by UNESCO whereas Rupees 2000 depicts Mangalayan, the country’s first venture into the interplanetary space.

Image Courtesy: Janhavi Shinde @storyfied_ 



Image Courtesy: Michael @the_ritzy 


Image result for hampi chariot 50 rs note
Courtesy : Here

Courtesy : @sanjeet_tripathy
Now its worth waiting whether a new Rupees 20 banknote will be added to the shades of the Indian currencies..!

{Update} April 26 2019

Rs 20
Greenish – Yellow
63mm x 129mm
Ellora Caves



Image Courtesy: Parag Sarwade @paragzone


Ujjain Symbol

The Ujjaini symbol is so common to Indian numismatics that one need not explain what this term means. Just by reading the words Ujjaini symbol one can visualize four circles joined by a cross. The so-called Ujjaini symbol is so named because of its abundance in appearance on coins found from Ujjain. Various theories and opinions for the origin of this symbol have been forwarded by many scholars. Amongst the important theories:
A typical Ujjaini Symbol

Jain1 
has remarked that this symbol represents the junction of the four roads that leads to the trading centre of Ujjayini.
Kothari and Morrison2 have suggested that this symbol is a conventionalized form of Damru, which is an attribute of Shiva in one of his manifestations.
Chakrabarti3 opines that perhaps it is a solar symbol and was in extensive use in early times.
Pusalkar4 and Sarma5 agree to the opinion that Ujjayini symbol represents the occurrence of phenomena that: Equator passes thru India touching Ujjaini and tropic of cancer cuts the equator just in the middle of Ujjaini city. Thus forming a cross at Ujjaini.
Dube6 thinks that Ujjaini symbol represents Shiva, because of four gates of the city having four temples of Shiva (namely Pingleshwar, Kayavarohaneshwar, Vilkeshwar, and  Durdareshwar).
Katara7 is of the opinion that the Ujjaini symbol represents north, south, east, west and the solar system.
Bajpai8 says that it should better be called as Vajra symbolas various forms of Vajra (including cross and ball) are known in Indian art.
Chakravarti9 writes this so called Ujjaini symbol is in fact Vajra symbol. The symbol seems to have represented a meeting of four cross roads, which was applicable to Ujjaini as function of trade routes.
Shastri10 suggests that it might be a conventional form of swastika. 


Ujjaini symbol is found on coins of other city-states such as Ahichhatra, Ayodhya, Eran, Iksvakus, Kannauj, Koshambi, Mathura, Rairh, Nagari, Rajgir, Uddehika, Yaudheyas, Satavahanas, etc  which suggests its “universality”. I personally believe that this symbol was an authenticity mark on coins, and traders of Ujjaini accepted only those coins which had these marks.

Reference:
  1. Jain, KC, Jounal of Numismatic Society of Madhya Pradesh, vol . I, 1972, p.15.
  2. Kothari, N. and Morrison, M. ‘Numismatic Digest’, vol. XL, 1987, p.13.
  3. Chakrabarti, SK. “JRASB, Numismatic Supplement”, 1936, No. XLVI, p.63.
  4. Pusalkar, AD. “Vikramaditya in Purana”, Bharaiya Vidya, vol. VIII, p. 129.
  5. Sarma, IK. (1980) “Coinage of Satavahana Empire”, Delhi, p. 69.
  6. Dube, JN. (1922) “Ujjayini, the City Eternal”. M.P. Tourism, Ujjain, p. 78.
  7. Katara, SL. (1922) “Ujjayini, the City Eternal”. M.P. Tourism, Ujjain, p. 78.
  8. Bajpai, KD. Numismatic Studies, Vol. 2, New Delhi, 1992, p. 23.
  9. Chakravarti, M. (1981) “Malwa in Post Mauryan Period”, Calcutta, p. 142.
  10. Shastri, AM. “Religious Study of Symbols on Local Coins of Central India”, No. II, p.83.

"Ujjayini Coins" By Narendra Kothari , 2006 Reshma Books International, Mumbai

"ARTISTIC AND SOCIAL APPROACH IN THE UJJAYINI COINS" By Arpit Gupta <http://www.academia.edu/35602055/ARTISTIC_AND_SOCIAL_APPROACH_IN_THE_UJJAYINI_COINS>